Some time ago, my kids asked me what kind of sweets I really liked. To be honest, I don’t actually like sweets at all - never have, never will. BUT… you can wake me up for chocolate and ice cream! Those are my guilty pleasures!
Guilty Pleasure is a handmade font. I used China Ink and a brush to create all the glyphs. Guilty Pleasure is a very distinct display font. I recommend you use it for your ice cream or chocolate packaging… but that, of course, is entirely up to you!
Showing posts with label eye catching. Show all posts
Showing posts with label eye catching. Show all posts
Download Guilty Pleasure Fonts Family From Hanoded
Download Shibby Fonts Family From Hanoded
shibby adj (etc.). Used to indicate that something is “cool.” Apparently Shibby was first used in the 1999 movie Dude, Where’s My Car?
I don’t think Shibby is THE cool word of the moment, but I think it is cool enough for this rather shibby font!
Download Downhill Dive Fonts Family From Hanoded
I used to live in the English Lake District, where I worked in an outdoor gear store. I bought a bright red mountain bike and each day, after work, I cycled up the mountain and hurtled down - heavy metal blasting from my MP3 player.
Of course, the bike was a regular MTB, so it got some serious damage after a while, but the adrenaline rush was great!
Downhill Dive is a great brush font (made with actual brushes and ink on paper - no tablets involved here!). It is an ode to that wonderful time spent in England.
Downhill Dive comes with some really nice ligatures.
Download Katlynne Font Family From Ryan Williamson
October 05, 2019
alternating contrast
,
display
,
experimental
,
eye catching
,
Hebrew
,
reverse contrast
Katlynne is unpredictable.
Katlynne is erratic.
Katlynne is beautiful.
Katlynne is an alternating contrast, sans serif type family. Arbitrarily separating the characters into ‘rounder’ and ‘straighter’ letterforms to determine what contrast each glyph will take.
Katlynne is inspired by the observations made while watching the inexperienced use of broad tip pens. I found how and when individuals rotated their pen gave a visually intrusive, if not also pleasantly conspicuous effect. Often, the pen would naturally rotate horizontally (vertical contrast) on the rounder letterforms, and vertically (reverse contrast) on the straighter ones. This is more or less the formula Katlynne adopts as the contrast changes throughout the styles.
Katlynne’s severity of contrast varies from ‘Negative Three’ to ‘Positive Three’ in four weights. With a central style ‘Book’ being the sensible, low contrast font in the family.
Within the family there are four weights with 7 contrast styles, with complimenting true italics. Giving a total of 56 fonts!
Katlynne's array of options works for creating stylistic similitude within layouts, where conspicuous title faces are needed with a cohesive text face to compliment. Alone, the ends of the contrast spectrum (Negative and Positive Three) create striking word forms for advertising, packaging and anywhere else a loud voice is needed.
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